The American Record Guide“Huge range of dynamics, massive sound, and spontaneity…all the warmth, balanced sound, rhythmic solidity, and elegance one could wish for.”
The New Yorker“…the Viano String Quartet, a superb North American group, played the unfinished Second Quartet, which makes one regret that Rachmaninoff neglected chamber music in his maturity.”
Seen and Heard International“Glamorous, intoxicated by the full panoply of sound, color and dynamics.”
Boston Globe“…the Viano quickly notched a number of competition victories and have since been on a sharply ascending professional flight path. It’s not hard to see why. They do indeed play with a rare unity of intention and a clearly profiled collective voice, one that blends virtuosity and visceral expression in a way that produces a distinct ensemble personality…Many young quartets learn to express themselves eloquently, but this one, it is clear, also has something to say.”
Dallas Morning News“Their trust and cohesiveness made it seem like they’ve been performing together all of their lives.”
BachTrack“In a field of quartets that already were clearly working closely on stage, the Viano had created an especially strong sense of being composed of equals in Haydn, Debussy and Schubert.”
Calgary Herald“…the Viano Quartet was more extrovert, impressing the audience with its superlative account of Bartok’s Fourth String Quartet in the first round and bringing listeners to their feet with its thrilling account of Beethoven’s String Quartet, Op. 59, No. 3 (“Razumovsky”).”
The Boston Musical Intelligencer“Viano led off with Jessie Montgomery’s string quartet hit, Strum. The sparse and semi-masked audience thundered its reception of the rhythmically charged work from 2006. No wonder the piece quickly lifted Montgomery into stardom and has since been widely performed. After their spectacular strumming performance, violinist Lucy Wang spoke about having wanted to get up and dance. There were piquant moments, too, and Viano’s gusto fit just right with Montgomery’s embrace of Black-American vibes…The Evergreen, Shaw’s 2020 string quartet in four movements: “Moss” as high-up harmonics; “Stem” as basic bowing; “Water” as pizzicato; and “Roots” as underlying ostinato. Shaw’s craft and Viano’s artistry was another fine fit…To wrap up their power-packed show, Viano continued with String Quartet No. 13, op 106, in G Major, Op. 106 by Czech master Antonín Dvořák…violist Kane offered moments of lyricism, and the quartet stirred passion in the third movement’s final run of the main theme and its quick directional shifts.”
my/maSCENA“An ensemble ready for prime time…Control of dynamic subtlety and the ethereal features of impressionistic writing.”
Praised for their “virtuosity, visceral expression, and rare unity of intention” (Boston Globe), the Viano Quartet are one of the most sought-after performing young ensembles today and currently in-residence at the Chamber Music Society of Lincoln Center Bowers Program from 2024-2027. Since soaring to international acclaim as the First Prize winner at the 13th Banff International String Quartet Competition, they have traveled to nearly every major city across the globe, captivating audiences in New York, London, Berlin, Hong Kong, Vancouver, Paris, Beijing, Toronto, Lucerne, and Los Angeles.
During the 24/25 season, the quartet will debut in New York’s Alice Tully Hall in the season opening concert of CMS Lincoln Center, followed by appearances at series including Wolf Trap, Tuesday Evening Concert Series, Northwestern University, Four Arts in FL, MoCA Westport in CT, Chamber Music Yellow Springs in OH, and the chamber music societies of Dallas, Salt Lake City, and Carmel. In November, the quartet will also make their debut in David Geffen Hall with Sir Stephen Hough for the world premiere of his new piano quintet. The quartet can be heard in Canada this season with debuts at the Cecilian Chamber Series as well as the Royal Conservatory of Music in Toronto and Isabel Bader PAC in Kingston in a program with famed guitarist Miloš Karadaglić. As the inaugural June Goldsmith Quartet-in-Residence for the Music in the Morning series through the 24/25 season, the quartet will return to Vancouver this March for concerts and extensive community engagement initiatives.
In addition to their busy touring schedule, the quartet are also dedicated advocates of music education, and have worked with students at Music@Menlo, SUNY Buffalo, the Colburn Academy, Duke University, University of British Columia, Northern Michigan University, Utah State University, University of Denver, and Virginia Commonwealth University. This season, they will be returning to University of Victoria for several weeks of residency which will include performances, masterclasses and lectures. The quartet has previously held graduate quartet residencies at Curtis and Colburn and were also the Peak Fellowship Quartet-in-Residence at Meadows School of the Arts at SMU.
The Viano Quartet has collaborated with world-class musicians including Emanuel Ax, Inon Barnatan, Fleur Barron, James Ehnes, Mahan Esfahani, Marc-André Hamelin, Bridget Kibbey, Paul Neubauer, David Shifrin, and Elisso Virsaladze. 2023 marked the release of the quartet’s first album Portraits on the Curtis Label, featuring pieces by Schubert, Florence Price, Tchaikovsky, and Ginastera.
In their formative years the quartet sustained unwavering enthusiasm from every international jury, never entering a major competition without capturing a top prize. Before their career-defining achievement at the Banff International String Quartet Competition, they also received major prizes at the Wigmore Hall, Osaka, Fischoff, ENKOR, and Yellow Springs Chamber Music Competitions. Each member of the quartet is grateful to the interminable support from their distinguished mentors at the Curtis Institute and Colburn Conservatory, including members of the Dover, Guarneri, and Tokyo string quartets.
The name “Viano” was created to describe the four individual instruments in a string quartet interacting as one. Each of the four instruments begins with the letter “v”, and like a piano, all four string instruments together play both harmony and melody, creating a unified instrument called the “Viano”.
AUGUST 2024