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“When Mr. Kalhor performed, it sounded like a conversation among several ­instruments, with the varying timbres at times evoking the wailing pleas of disconsolate lovers. From a simple, muted beginning, the music became more intense and embellished, as ornate melodies and ornaments unfolded with calligraphic detail above ostinato bass patterns.”

The New York Times

“It has a tenderness that’s not personal; it’s ­anthropological. ­Kayhan is the master of that ­instrument…musically, ­emotionally and culturally. The civilization that he represents is very ­powerful, and he’s at the top.”

Osvaldo Golijov

“You can get lost in this music in a wonderful way. It roams through ­far-flung provenances and ages…­mystically tinted, mysterious sounds, which echo in the ­inclined listener for a long time.”

JazzThing (for "It's Still Autumn" with the Rembrandt Frerichs Trio)

“Extra-worldly beautiful…The compactness of this music, the merging of two completely different cultures and the way in which it is performed is a perpetual surprise.”

JazzNu (for "It's Still Autumn" with the Rembrandt Frerichs Trio)

“The four soloists — [including Kayhan Kalhor] — delivered technical wizardry matched with expressive heat. Alsop dovetailed the orchestral side of things nimbly and drew colorful playing from the BSO.”

The Baltimore Sun

“…Kalhor’s ­kamancheh ­entered a moment later with a barely-­perceptible murmur that ­abruptly soared into an ­ascending solo line over ­Erzincan’s gauzy accompaniment. With the confident air of a star tenor and the piercing ­earnestness of an imam’s call to prayer, the ­kamancheh’s sound emanated an ­expressiveness in ­Kalhor’s hands that brought a perceptible awe over the audience of expectant devotees and ­curious novices.”

Classical Voice North Carolina

Kayhan Kalhor is an internationally acclaimed virtuoso and the world’s leading player of the kamancheh, the Persian spike fiddle. Through his many collaborations, he has been instrumental in popularizing Persian music in the West and remains a creative force in today’s global music scene. His performances of traditional Persian music and innovative cross-cultural projects have captivated audiences worldwide.

A child prodigy on the kamancheh, Kalhor was invited at age thirteen to join the Iranian National Radio and Television Orchestra, where he performed for five years. At seventeen, he began working with the Shayda Ensemble of the Chavosh Cultural Center, Iran’s most prestigious arts organization at the time. While performing with Shayda, he continued studying the Iranian classical repertoire (radif) with various masters. In 1978, he moved to Rome to study Western classical music and later earned a degree in music from Carleton University in Ottawa, Canada. Kalhor has extensively researched the regional music of Iran, particularly that of Khorasan and Kurdistan.

A co-founder of the renowned Dastan Ensemble, Kalhor has also played a pivotal role in several groundbreaking projects. He was a founding member of Masters of Persian Music alongside Mohammad Reza Shajarian, Hossein Alizadeh, and Homayoun Shajarian; co-created the Persian-Indian ensemble Ghazal with sitar virtuoso Shujaat Husain Khan; and was an original member of Yo-Yo Ma’s Silkroad Ensemble. He is also known for his pioneering work with Erdal Erzincan, Brooklyn Rider, and the Rembrandt Trio.

Kalhor has composed works for Iran’s most celebrated vocalists, including Mohammad Reza Shajarian and Shahram Nazeri, and has collaborated with leading instrumentalists. As a soloist, he has performed with major orchestras such as the New York Philharmonic and the Orchestre National de Lyon. His most recent composition, Venus in the Mirror, a double concerto for cello and kamancheh, was completed in May 2024.

His work extends into film and television, including collaborations with Osvaldo Golijov on Francis Ford Coppola’s Youth Without Youth and composing for numerous Iranian films. In 2021, he wrote the music for the acclaimed Iranian drama series Once Upon a Time in Iran. His commissions include works for the Kronos Quartet, the Silkroad Ensemble, and Yo-Yo Ma, with several of his compositions featured on Silkroad Ensemble recordings.

Kalhor has released over two dozen albums, including The Sky Is the Colour Everywhere, a collaboration with West African kora player Toumani Diabaté, which won a Songlines Award for Best Fusion Album. Other notable albums include It’s Still Autumn with the Rembrandt Frerichs Trio, Silent City with Brooklyn Rider, I Will Not Stand Alone with santoor player Ali Bahrami Fard, and two albums with Erdal Erzincan on ECM. He has also released multiple recordings with Ghazal Ensemble (ECM, Shanachie) and Masters of Persian Music (World Village). A three-time GRAMMY nominee, he won a GRAMMY in 2017 as part of Yo-Yo Ma’s Silkroad Ensemble.

Kayhan Kalhor has received numerous prestigious awards recognizing his contributions to music and culture. In 2005, he was honored with the Preis der Deutschen Schallplattenkritik (“German Record Critics’ Award”). He received the Isaac Stern Human Spirit Award in 2018, followed by the Bita Prize for Persian Arts and the Womex Artist Award in 2019. In 2020, he was awarded the globalFEST Artist Award, and in 2022, his Spark and Fire podcast was recognized as a Webby honoree. He was also featured in the 2017 documentary The Music of Strangers: Yo-Yo Ma and The Silk Road Ensemble.

2024-2025