
- 02.11.19
JoAnn Falletta, Mason Bates - Congratulations to our 2019 Grammy Award Winners
Grammy.com - 02.07.19
Vienna Boys Choir - Vienna Boys Choir Winter Tour Starts February 17
Kathryn King Media - 02.06.19
Jeremy Denk - Five Days, Three Pianists, Three Generations
The New York Times - 02.05.19
Jennifer Koh - Classical Music Concerts Part 2: Orchestras Primed for Adventure
Boston Concert Reviews - 02.03.19
Jeremy Denk - Home listening: new releases from Jeremy Denk and Maximilian Hornung
The Guardian - 02.01.19
JoAnn Falletta - RESPIGHI, O.: Roman Trilogy - Feste romane / Fontane di Roma / Pini di Roma (Buffalo Philharmonic, Falletta)
Naxos Records - 02.01.19
JAZZ IN THE KEY OF ELLISON - Ralph Ellison’s Record Collection
The New Yorker - 02.01.19
Brooklyn Rider - Common Theme
Strings - 01.31.19
Jeremy Denk - Jeremy Denk's New Album, "c.1300–c.2000," Due February 8 on Nonesuch Records
NPR - 01.29.19
Calidore String Quartet - What repertoire should you play for your first recording?
The Strad
ARTIST NEWS

TSO, guest pianist shine in Mozart and a symphony without an end
11.10.18
Anne-Marie McDermott
Arizona Daily Star
The piano talks to the strings and winds, and they talk back, sounding at times like they are trying to get in the last word.
Then the winds and brass chime in and the strings quiet to a whisper until the piano asserts itself into the conversation.
That's how the piece played out Friday night at Tucson Music Hall with Ann-Marie McDermott at the piano and the Tucson Symphony Orchestra in fine form under the baton of guest conductor James Judd.
This was the first time we've seen McDermott with the TSO in years. From what we experienced Friday night, we hope we won't have to wait so long for her encore.
McDermott embodies all the technical skills we have come to expect from her: a firm yet elegant touch that is alternately purposeful and spontaneous. She produces clean, crisp lines where every note speaks for itself, and balances mood and tempo with a fluidity that sometimes added a wholly contemporary sound that could have been written 25 years ago instead of 225 years ago. Read the full review here