Austin Camerata splendidly fuses music and dance

05.25.18
Chee-Yun
Austin 360

From where I sit, “Austin Camerata” translates into “unadulterated beauty.”
At least it did last night when the Austin chamber orchestra played the Rollins Studio Theatre at the Long Center for the Performing Arts.
But first, an historical note: Debra and Kevin Rollins, whose gift made the gray box theater possible, adored chamber music. And yet, during the first 10 years of the Long Center, not much of the genre has been heard in their Studio Theatre.
For a concert called “Reinventions,” the room sounded great! And there was enough space onstage to accommodate Dorothy O’Shea Overbey‘s dancers, who performed with the musicians during the final number.
Back to the music: Like other chamber orchestras, the University of Texas-associated string group — led offstage but not onstage by cellist Daniel Kopp — expands on the collaborative dynamics of a string quartet. Their measured romp through Edvard Grieg‘s “Holberg Suite” was precise, proportional and over way too soon.
All else melted away when guest violinist Chee-Yun arrived downstage, her red gown gown splashed against the orchestra’s workaday blacks, her performance lighted to their near darkness. And for good reason, because she could pull all those wild sounds from her instrument for Astor Piazzolla‘s “Four Seasons of Buenos Aires.” These four tangos, composed independently but rearranged to match Vivaldi‘s “Four Seasons,” kept the near-full house on the edge of their seats. Read the rest of the review here